Sara Eckerson

Assistant Professor

Bio

Sara Eckerson is Invited Assistant Professor at FCH-UCP. She received her PhD in Literary and Cultural Studies, with a specialization in Literary Theory, from the University of Lisbon (2016), an MA from the same institution (2009), and a BA from New York University (2006). Her main areas of research are in aesthetics and literary studies, specifically musical hermeneutics, the philosophy of music, and connections between music and literature; her research focuses on the music of Beethoven and Handel, as well as on the literary works of John Milton and Herman Melville. She is the author of numerous publications in this area, including on the philosophy of music (Teorema), Handel and Milton (Yale Journal of Music & Religion), Beethoven (Manchester Beethoven Studies, published by the Manchester University Press), and has collaborated with the editorial board of Eighteenth-Century Studies (Johns Hopkins University Press).

Paper

A note in a Haydn Rondo

Sara Eckerson (with Sara Eckerson). 2024. Forma de Vida
Paper

On Auden’s Icarus in Schubert

Sara Eckerson (with Sara Eckerson). 2024. Forma de Vida
Book Chapter

A Hermeneutic Approach to Word Cues in the Score of Beethoven's Concerto No. 4 in G major for pianoforte and orchestra, Op. 58

Sara Eckerson (with Sara Eckerson). 2023. Manchester Beethoven Studies
Book Chapter

A hermeneutic approach to word cues in the score of Beethoven’s Concerto No. 4 in G Major for Pianoforte and Orchestra, Op. 58

Sara Eckerson (with Sara Eckerson). 2023. Manchester Beethoven studies
Paper

On Beethoven’s Late Style and the String Quartet in F Major, Op. 135

Sara Eckerson (with Sara Eckerson). 2023. Forma de Vida
Paper

On Hard Liberty

Sara Eckerson (with Sara Eckerson). 2023. Forma de Vida
Paper

On Herman Melville’s ‘The Berg (A Dream)

Sara Eckerson (with Sara Eckerson). 2023. Forma de Vida
Paper

On Herman Melville’s ‘The berg (a dream)'

Sara Eckerson (with Sara Eckerson). 2022. Forma de Vida
Paper

On The Cod Head by William Carlos Williams

Sara Eckerson (with Sara Eckerson). 2022. Forma de Vida
Paper

Medieval Music, as found in Sir Gawain and the Green Knight (c. 1390)

Sara Eckerson (with Sara Eckerson). 2021. Forma de Vida
Paper

On "Melchoir Vulpius” by Marianne Moore

Sara Eckerson (with Sara Eckerson). 2021. Forma de Vida
Paper

On Emily Dickinson’s "A little madness in the spring"

Sara Eckerson (with Sara Eckerson). 2021. Forma de Vida
Paper

Considerations of the body in Handel’s Samson (HWV 57)

Sara Eckerson (with Sara Eckerson). 2020. Dedalus
Paper

Considerations of the Body in Handel’s Samson (HWV 57): The Body in Performance and the Body at Absolute Distance

Sara Eckerson (with Sara Eckerson). 2020. Dedalus
Paper

On George Herbert's "Humility"

Sara Eckerson (with Sara Eckerson). 2020. Forma de Vida
Paper

On unhealthy pictures

Sara Eckerson (with Sara Eckerson). 2020. Forma de Vida
Paper

John Milton’s “On Time”

Sara Eckerson (with Sara Eckerson). 2019. Forma de Vida
Paper

On industry and Margaret Cavendish’s ‘The Hunting of the Hare’ (1653)

Sara Eckerson (with Sara Eckerson). 2019. Forma de Vida
Other

On J. S. Bach’s “Sublime ‘Gute Nacht’” of Jesu, meine Freude (BWV 227)

Sara Eckerson (with Sara Eckerson). 2019. Forma de Vida
Paper

On Buxtehude's Quemadmodum Desiderat Cervus

Sara Eckerson (with Sara Eckerson). 2018. Forma de Vida
Paper

On Buxtehude's Toccata in F Major, BuxWV 156

Sara Eckerson (with Sara Eckerson). 2018. Forma de Vida
Paper

On J. S. Bach’s Musical Offering (Musikalisches Opfer, BWV 1079)

Sara Eckerson (with Sara Eckerson). 2018. Forma de Vida
Paper

The Material of the Servant: Theology and Hermeneutics in Handel’s Samson

Sara Eckerson (with Sara Eckerson). 2018. Yale Journal of Music & Religion
Paper

On Handel's 'Saul' at the Glyndebourne

Sara Eckerson (with Sara Eckerson). 2017. Forma de Vida
Paper

ON VIVALDI’S L’ESTRO ARMONICO

Sara Eckerson (with Sara Eckerson). 2017. Forma de Vida
Other

A.B. Marx and the musical Idee: a re-interrogation of musical meaning from the perspective of 19th century performance

Sara Eckerson (with Sara Eckerson). 2015. Fourth Biennial North American Conference on Nineteenth-Century Music
Other

A.B. Marx and the Musical Idee: Meaning in Performance

Sara Eckerson (with Sara Eckerson). 2015. North American Conference on Nineteenth Century Music, North Andover, United States, 15/07/15
Paper

The Material and “Inner Life” in Music: Beethoven, Psychological Coherence, and Meaning

Sara Eckerson 2015. Humanities
Book Chapter

Zerlina: A Study on How to Overcome Anxiety

Sara Eckerson (with Sara Eckerson). 2015. Kierkegaard’s Literary Figures and Motifs. Sources, Reception and Resources
Book Chapter

Donna Elvira: The Colossal Feminine Character, from donna abbandonata to the Embodiment of Modern Sorrow

Sara Eckerson (with Sara Eckerson). 2014. Kierkegaard’s Literary Figures and Motifs. Sources, Reception and Resources
Book Chapter

Figaro: The Opera and the Character He Represents

Sara Eckerson (with Sara Eckerson). 2014. Kierkegaard’s Literary Figures and Motifs. Sources, Reception and Resources
Paper

Contrarianism in the Philosophy of Music and the Role of the Idea in Musical Hermeneutics and Performance Interpretation

Sara Eckerson (with Sara Eckerson). 2012. Teorema
Book Chapter

Determining Value in Sense Impressions of Music and Interpretations

Sara Eckerson (with Sara Eckerson). 2011. The 34th International Wittgenstein Symposium, Epistemology: Contexts, Values, Disagreement